Kim Jung Gi Coloso __exclusive__ Jun 2026
He teaches students to stop looking at objects (a car, a tree, a person) and instead look at the space between and around those objects. The course drills the concept of "drawing the floor first" to lock in the camera angle before any character touches the paper.
You don't just watch this course; you dissect it. To truly honor his legacy, follow this protocol:
If you type into Reddit or Twitter, you will find heated debate. Let’s settle it.
The Coloso series is characterized by its incredible attention to detail, with each drawing featuring intricate textures, subtle shading, and a sense of dynamic movement. Kim Jung Gi's use of a range of mediums, including pencils, charcoal, and pastels, adds depth and complexity to the works, creating a sense of three-dimensionality that draws the viewer in.
The value proposition of lies in the defeats . Unlike his polished live drawing performances (where he never messes up), the Coloso course includes his corrections. He explains blocked lines, perspective errors, and structural weaknesses. For the first time, students realized the master was not a god; he was a human who trained his visual cortex relentlessly.
He teaches students to stop looking at objects (a car, a tree, a person) and instead look at the space between and around those objects. The course drills the concept of "drawing the floor first" to lock in the camera angle before any character touches the paper.
You don't just watch this course; you dissect it. To truly honor his legacy, follow this protocol:
If you type into Reddit or Twitter, you will find heated debate. Let’s settle it.
The Coloso series is characterized by its incredible attention to detail, with each drawing featuring intricate textures, subtle shading, and a sense of dynamic movement. Kim Jung Gi's use of a range of mediums, including pencils, charcoal, and pastels, adds depth and complexity to the works, creating a sense of three-dimensionality that draws the viewer in.
The value proposition of lies in the defeats . Unlike his polished live drawing performances (where he never messes up), the Coloso course includes his corrections. He explains blocked lines, perspective errors, and structural weaknesses. For the first time, students realized the master was not a god; he was a human who trained his visual cortex relentlessly.
Click Login to leave your comment on the book.