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The film was a spy thriller. In the simulation, Eliot was suave, invincible, and loved. He ran across rooftops in Tangier, saved the world, and got the girl. And because the emotions were anchored in his real-life experiences, the performances were visceral. The beta-testers were calling it "the most harrowing experience of their lives."

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The Golden Age of Hollywood (1930s–1950s) established the studio system, turning movie stars into deities. The rise of television in the 1950s and 1960s brought "the living room theater," creating shared national moments—the final episode of M A S H*, the moon landing, the Beatles on Ed Sullivan . The film was a spy thriller