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To understand Kerala, one must understand its cinema. From the socialist realism of the 1970s to the "New Generation" hyper-realism of the 2010s, the journey of Malayalam cinema is inseparable from the journey of the Malayali mind.

is the classical actor—the chameleon. He disappears into roles. From the vengeful feudal lord in Oru Vadakkan Veeragatha (1989) to the elderly professor with Alzheimer’s in Kaazhcha (2004) to the sophisticated, ruthless patriarch in Paleri Manikyam (2009), Mammootty represents sangham (discipline) and intellectual rigor. He is the actor the critics love. To understand Kerala, one must understand its cinema