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and Nicole Kidman (Blossom Films) have been instrumental in adapting female-led literature ( Big Little Lies , The Morning Show ) that centers on the internal lives of women in their 40s and 50s.
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Sarah Lancashire’s turn as Julia Child in Julia or Christine Baranski’s iconic Diana Lockhart in The Good Wife and The Good Fight offer something rare: women who possess professional agency, sexual autonomy, and intellectual heft. and Nicole Kidman (Blossom Films) have been instrumental