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In the 1970s and 1980s, Malayalam cinema witnessed a significant shift with the emergence of the Parallel Cinema movement. Filmmakers like Adoor Gopalakrishnan, P. Padmarajan, and K.G. Sankaran Kutty began experimenting with unconventional themes, exploring the complexities of human relationships, and critiquing social norms. Movies like (1972), Aparan (1981), and Geetham (1986) showcased the industry's willingness to push boundaries and challenge conventional storytelling.

The 2010s brought digital cameras and OTT platforms, liberating filmmakers from star-centric budgets. A new generation—Dileesh Pothan, Lijo Jose Pellissery, Jeo Baby—rejected the "star vehicle" format. Films became shorter, denser, and location-authentic. In the 1970s and 1980s, Malayalam cinema witnessed

: Prior to 2010, female roles were often limited to supportive tropes. Today, contemporary cinema showcases women as protagonists with their own distinct aspirations and struggles, as seen in groundbreaking films like Kumbalangi Nights . A new generation—Dileesh Pothan, Lijo Jose Pellissery, Jeo

The very term "Mollywood" reportedly has roots in a desire for raw, uncensored cinema. From its humble beginnings under , the father of Malayalam cinema, to today's high-budget global hits, the industry remains a vital part of Kerala's identity. Whether it’s through local events like "Dumb Charades" movie nights or massive international releases, Malayalam cinema continues to foster a sense of belonging and cultural pride. the father of Malayalam cinema