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The narrative tension peaks when Amanda performs her "consultations." Castro Caycedo uses his journalistic eye to describe:
A powerful witch serving as a bridge between the spiritual and political worlds.
The heavy scent of tobacco and the weight of secrets shared in shadows.
How men who command armies or government offices suddenly become submissive children in Amanda's presence.
The narrative tension in the first chapter is built through this contrast. On one hand, there is the routine of the city: street vendors, passersby, and the normalcy of a Saturday or a quiet afternoon. On the other hand, there is the underlying current of death. Castro Caycedo uses sensory details—the cold wind, the shadows of the tombstones, the smell of candles—to transport the reader to the crime scenes. This atmospheric build-up is crucial; it suggests that these crimes did not happen in a vacuum, but rather in the shadow of a society that had become desensitized to violence.
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